Fort Garland in the San Luis Valley was built to protect and help early white settlers colonize the American West. Kit Carson, was appointed the commander of the fort after he waged a violent campaign against the Navajo people.
Buffalo soldiers: reVision, an exhibit by History Colorado, seeks to reframe the story of Fort Garland to also include the stories of Native people, and the hundreds of formerly enslaved Black Buffalo soldiers who lived and served there in the late 1800s.
Alexis Kenyon spoke with Eric Carpio, the director of History Colorado's Fort Garland exhibit.
Eric Carpio: In the mid 1860s, the United States embarks on this violent campaign against the Navajo, really trying to flush out the Navajo from their homelands.
Another space is created, many today would describe it as almost a concentration camp, located hundreds of miles from Navajo homelands.
And so as part of this campaign, ultimately the United States military drives over 10,000 Navajo hundreds of miles across the state of New Mexico.
And if you talk to Navajo elders or historians, they would call this really the darkest hour, the darkest times of their history. And so Carson was on the front lines of that on behalf of the United States military.
And so it's after that campaign that he's transferred to Fort Garland, in essence to deal with the Ute that are here in this area. And ultimately after he arrives at Fort Garland, I think right after he leaves actually, a treaty is signed here that effectively results in the removal of all Ute from the San Luis Valley and onto the Western Slope.
And over the course of the next 10 years or so, Ute lands would get smaller and smaller to where we're at today with three different Ute reservations, two in Colorado and one in Utah.
From 1950 until 2018 at the center of the story of Fort Garland was the story of Kit Carson. And so in the commandant's quarters, there was an exhibition devoted to Carson, arranged in that house-museum style, where you would see a full-size mannequin depicting Carson sitting at a desk in conversation with another full-size mannequin depicting Chief Ouray, and that scene was supposed to depict treaty negotiations.
And then you would go down the hallway, and see a replica of maybe what living quarters would have looked like for a commander at the fort during that time period.
So the original curators at the time felt that this would be the story that would draw the most attention from visitors and tourists, community members, and otherwise.
Alexis Kenyon: I’m curious, do you know how members of the Ute felt about that exhibit?
Eric Carpio: Yeah, that's a great question. I've heard directly from members of the Native American community, from the Indigenous community who had visited Fort Garland, that that exhibition could be viewed, or probably was viewed as traumatic.
Just the idea that a military fort in this part of the country that was established during that time period to be on the front lines of removal of Native people, and in this case, Ute people from the area, that the space itself holds a lot of trauma and a lot of pain that hasn't necessarily been reconciled with, that hasn't been addressed fully by the museum, by the historic society.
And so I think in the last several years, we've done some work to really try to broaden perspectives, to bring in more voices, particularly Native voices. I've had people point blank tell me that this is the first time that they felt welcome here in the space because their stories had either been erased before or caricaturized, but there's been a lot of work that we've needed to do here at the museum that's still underway, quite frankly.
Alexis Kenyon: The exhibit focuses on Buffalo soldiers who were formerly enslaved Black soldiers that joined the military and then were shipped north. And at Fort Garland, they were sent to push the Ute from their lands. Your exhibit highlights one of these Buffalo soldiers named John Taylor. Will you tell me about John Taylor and how you explore his life in the exhibit and his relationship with the Ute?
Eric Carpio: John Taylor, after he earned his freedom, he fought on the Union side of the Army during the Civil War.
After the Civil War and after Emancipation, once the Buffalo Soldier units were established, John decided to enlist in one of the infantry units where he was sent out west. He ended up settling in the Durango area and marries Kitty Cloud, who's a Ute woman. And as a matter of fact, in one of his oral histories, he claims to be the first white settler of the Pine River Valley, which is really interesting because you look at photos of John Taylor, he's obviously not a white man, but he's basically what he's saying is he's non-Native, that he's American, that he's free.
And so John Taylor becomes a really interesting vehicle to explore these issues of relationships between African American soldiers and Native people in the West, especially when you examine his life and the lives of his children and descendants.
Alexis Kenyon: Eric, let's talk about the actual exhibit. What can people expect to see? Can you give us some examples?
Eric Carpio: The way that I usually describe the exhibit is that the exhibit exists at the intersection of history, art, and place. And place being important because Buffalo Soldiers were stationed here at Fort Garland.
The exhibit is in the West Officer's Quarters, which is a space where officers and their wives would have lived. The exhibit also exists in a space that Black soldiers wouldn't have occupied because African American soldiers weren't allowed to rise to the rank of officer, and I think there's a power to putting this exhibit in that space.
And so you walk into the exhibit and you're greeted by an image of John Taylor side-by-side with Buckskin Charlie. Buckskin Charlie is one of John Taylor's closest friends, he's a Ute person. And it's just a really beautiful image that I think invites people in.
But we've got several different paintings and collages that depict different elements of Buffalo Soldier history. We've got a few murals that utilize historic photographs and historic images from that time period of Buffalo Soldiers.
Two of the contributors are poets and so we've got poetry and other written work in the show that allow an opportunity for visitors to reflect on different elements of this history through the lens of African American and Native American artists.
Alexis Kenyon: I mean, what do you think this story, and retelling of the story, means for the American narrative or in the American identity?
Eric Carpio: Yeah, that it's, that's more complicated, right? I mean, you think about the history of the West in particular, often Native Americans and Mexicanos are caricaturized. Often African Americans often are completely erased from the history of the West.
And with Buffalo Soldiers reVision, we take those folks and put them at the center of the story, and I hope that through that, that really challenges that mythology that we have learned about our history and who we are, and also embraces and brings in voices that should have been there from the very beginning.
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This story was shared via Rocky Mountain Community Radio, a network of public media stations in Colorado, Wyoming, Utah and New Mexico including Aspen Public Radio. It was shared via Rocky Mountain Community Radio, a network of public media stations in Colorado, Wyoming, Utah and New Mexico including KSJD.